Meet the Twisted 'Pioneer' of the Right-Wing War on Women
April 13, 2014 in Blogs
The late Charles Keating, who died last week at the age of 90, is remembered primarily for his role in the savings-and-loan crisis of the 1980s, as a symbol of the frauds and excesses of an unregulated financial sector — a debacle from which we seem to have learned very little. Yet, ironically, those of us interested in American sexual politics remember a very different side of Keating: the smut-fighting moral entrepreneur who called for more regulation — as long as it pertained to matters of obscenity, rather than investment.
Keating’s pioneering activity in junk-bond innovation has all but eclipsed what may, in fact, be his most lasting legacy. As founder and longtime leader of Citizens for Decent Literature (CDL), Keating pioneered a new form of sexual conservatism, modernizing it to meet the changing mores of the mid-20th century. Through CDL, Keating developed a legalistic, pseudo-empirical anti-porn movement that worked hard to show itself as not anti-sex, but rather anti-perversion. As such, Keating brilliantly framed CDL for a post-Kinsey America, leaving a lasting imprint on conservative sexual politics.
A young Catholic lawyer in socially conservative Cincinnati in the 1950s, Keating watched with alarm as the newsstands and paperback racks of the nation filled with pulp novels and Playboy imitators, and he assessed the American moral landscape with a clarity few at the time possessed. Even as the Cold War witnessed a dramatic sexual retrenchment that ranged from aggressively domestic ideals for women to state-sponsored violence and suppression toward queer “deviants,” anti-smut activism seemed to be at low ebb. “Censorship” was unpopular, viewed through a Cold War prism as a tactic of the totalitarian Soviet Union, not freedom-loving Americans — none less than President Dwight D. Eisenhower castigated “the book burners” in 1953. Meanwhile, old forms of moral activism had fallen into disrepute. Anti-smut activist Anthony Comstock, in whose name the 1873 federal obscenity law had been passed, was now viewed through a post-Freudian lens as a repressed Victorian, and Catholic cultural influence was on the wane, with the traditional …read more
Source: ALTERNET
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